The New York Voices are a vocal jazz group that have learned from other vocal jazz groups such as Take 6, The Manhattan Transfer, Lionel Hampton and have taken jazz music to higher levels which have earned them Grammy Awards. Their sound is definite jazz sound with classical, pop, Brazilian and R&B immersed in.
In 1987, Peter Eldridge, Darmon Meader, Kim Nazarian, Caprice Fox and Sara Krieger formed the group. Darmon, Peter, Caprice and Kim went to Ithaca College, in upstate New York. They were able to go and tour the European jazz festivals in 1986. In 1989 they were signed to GRP Records and their first album New York Voices was released. In no time at all it seemed they became popular in the jazz music world. Four albums were done with GRP.
The Collection, Hearts of Fire and What's Inside. During this time, some changes were made. Sara left, and they auditioned more than sixty vocalists in the United States before they settled on Lauren Kinhan. When she sang with them, the chemistry was real and she fit in perfectly. Thus, they called themselves the "New" New York Voices. Lauren appears on the third recording. In 1994, Caprice left , and the New York Voices was at the point the same as it is presently.
The New York Voices, has recorded their own albums, guest starred on other albums, and many other performances. Some of those performances are Live at Manchester Craftsmen's Guild, Brazilian Dreams, a Latin Grammy Award winner with Paquito d' Rivera and Heirs of Jobim. They have also performed with many famous jazz artists such as Annie Ross, Bobby McFerrin, Nancy Wilson, John Hendricks and Diana Krall. They tried something new in 1997, by singing Paul Simon's songs. It was called New York Voices Sing the Songs of Paul Simon.
They used many styles to sing his music. Near the end of 2000, after they have completed their sixth album, Sing , Sing, Sing, they took on big band music. They had performed with the Count Basie Orchestra for years, so Darmon arranged the band and vocal parts and Elliot Scheiner who has produced The Manhattan Transfer and Steely Dan, produced a great recording. Other arrangers on the recording were Rob Mounsey and Michael Abene. The result was something complex, with swing, and vocal parts intermingled that was contemporary as well as classic. They did it in a way that did not lessen either style.
In 2006 their was a new recording where they go back to their Brazilian style. The New York Voices have been all around the world astounding audiences with their amazing vocal style, arrangements and classy selections. They have been at numerous jazz festivals, The North Sea Jazz Festival in Holland and The Montreal Jazz Festival.
The New York Voices also helps high school and college students doing workshops and clinics. They have many projects teaching, writing, solo gigs as well as arranging. They are forever expanding their fan base by experimenting with all types of music.
Thursday 29 May 2008
The New York Voices
Jazz Musician: Lionel Hampton
One great jazz musician was Lionel Hampton. Lionel was a bandleader, actor, jazz vibraphonist and percussionist. He has worked with other famous jazz musicians such as Buddy Rich, Quincy Jones and Charlie Parker. Lionel was raised by his grandmother in the south before he relocated to Chicago. In the 1920's he started playing the xylophone and drums. His first instrument was the fife drum.
When he was a teenager he played drums for the Chicago Defender Newsboy's band. When he lived in California, he played for the Dixieland Blue-Blowers. The first band that he recorded with was The Quality Serenaders, then he left again to go play with another band, Les Hite band. It was here that he began studying the vibraphone. Louis Armstrong asked Lionel to play the vibraphones on two songs. That is when he made the vibraphone a popular instrument.
While still with the Les Hite band, Lionel went to the University of Southern California taking music. He also worked with the Nat Shilkrer orchestra. In 1936 he was in the film Pennies From Heaven, starring Bing Crosby. He was next to Louis Armstrong, but hid himself by wearing a mask when he was playing the drums.
In 1936 he was fortunate to meet Benny Goodman who came to watch him perform. Benny asked him to join his trio which consisted of Benny, Gene Krupa and Teddy Wilson. It was then renamed the Benny Goodman Quartet. The year before, Lionel worked with Billie Holiday with Benny's orchestra. This group of artists was one of the first integrated jazz groups that performed openly in society.
Lionel recorded with several groups while still with Benny Goodman, but in 1940 he left to create his own big band. Lionel's orchestra was a hit in the 40's and 50's. "Flying Home" featured a Illinois Jacquet solo that began a new style of music, R&B. The song was so popular that he did another version called "Flying Home, Number Two", with Arnett Cobb. Lionel's music was a mixture of jazz music and R&B during this time. Some great jazz musicians that worked with him during this time were Johnny Griffin, Dinah Washington, Charles Mingus and Dizzy Gillespie.
As time went on, in the 1960's and after, his success lessened. He was still performing hits from the 1930's-1950's. In the 1970's he recorded with the Who's Who Record label, but still did not do as well as he could have.
Going the college route seemed to help a bit. His band played at University of Idaho's jazz concert regularly. In 1985, the named it the Lionel Hampton Jazz Festival. Two years later, they named the music school the Lionel Hampton School of Music. It was the only music school at a university that was named after a jazz musician. Lionel kept playing until he had a stroke in 1991 in Paris. Even though he had to stop performing as much, he did a performance at the Smithsonian National Museum of American History in 2001, not long before he died. This jazz music legend will never be forgotten.