Wednesday 28 November 2007

Dizzy Gillespie

There is not one person around who knows jazz music that did not hear the name Dizzy Gillespie. Dizzy Gillespie was a composer, singer, jazz trumpet player and bandleader. He along with Charlie Parker was the creator of modern jazz music and bebop. Dizzy also started Afro-Cuban jazz. He had the gift of making new harmonies that were layered and complex. At the time, it was not done in jazz before. He was most remembered for the trumpet he played that was bent. It was accidentally ruined when he was on a job in 1953. Surprisingly, Dizzy liked it because of the way it changed the tone of the instrument.

Dizzy was born John Birks on October 21, 1917 in South Carolina. He was the youngest in the family of nine children. His father was a horrible man who beat his children all the time, and died when dizzy was 10 years old. He taught himself how to play trumpet when he was twelve years old. He won a scholarship to Laurinburg Institute but, dropped out of school and went to Philadelphia to pursue music full-time. He played with Frankie Fairfax and recorded for the very first time in 1937. He then was a part of Cab Calloway's band, but was criticized for his solos, calling them "Chinese music". He was thrown out because Cab said that he sent a spitball at him, and Dizzy, angrily stabbed him in the leg with a knife.

Dizzy was a part of Duke Ellington's, Woody Herman and many other bands. It was with Billy Eckstine's band where his unique playing fit better than anywhere else. He met again with Charlie Parker. Together they played famous clubs such as Monroe's Uptown House, and Minton's Playhouse. This is where jazz music progressed again and bebop was created. In the beginning a lot of people didn't like bebop. They were used to the old jazz music, and thought the new sound of bebop was a threat and were afraid of it. Dizzy's style had an effect on trumpeters and the younger musicians that he was able to mentor. Examples of bebop music are "Groovin' High", "Salt Peanuts" and "A Night In Tunisia". Musicians that he taught bebop to were Miles Davis and Max Roach.

Eventually, the band departed, as the audience grew wary of the new jazz music. Dizzy wanted to go big, and tried to create his own big band in 1945 but was not successful with it. He started other small groups and finally put a big band together that was a success. He soloed many times with Jazz at the Philharmonic.

Dizzy proved himself overseas in France when he began his third big band, and did several concerts and albums.
During the 1940's Dizzy was composing Afro-Cuban music. Afro-Cuban music is a combination of Latin and African music, pop and salsa. The work that is the most well known are "Tin Tin Deo" and "Manteca". Dizzy was responsible for finding musician Arturo Sandoval while he was on a tour in Cuba researching music.

Dizzy continued to reach people with his music even on television and film. He was on Sesame Street and The Cosby Show. He died in 1993 from Pancreatic Cancer, he was 75 years old. He had two funerals, one was for friends and family and the other funeral was for the public in Cathedral of St. John the Divine. Dizzy Gillespie was a special innovator in jazz and is continually remembered at the New York Bahai Center.

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Wednesday 21 November 2007

Diana Krall

Diana Krall is an accomplished singer, and jazz pianist. Diana was born in British Columbia Canada in 1964. She learned to play piano when she was just four-years-old. Everyone is her family are musicians. When she was in high school she played in a jazz group, and at just fifteen played in many restaurants in Nanaimo. She won a scholarship from Vancouver International Jazz Festival at 17 years old to go to Berklee College of Music. She stayed for one and a half years.

When she played in Nanaimo, Ray Brown, a famous bass player and ex-husband of Ella Fitzgerald told her to move to Los Angeles, California and improve her talents with Jimmy Rowles, a pianist. She did, and began to sing with him. This move led her to into a circle of producers and teachers who could further her career. In 1990 she went to New York and married the British musician Elvis Costello, on musician Elton John's estate in 2003. Diana and Elvis had twins Dexter Henry Lorcan and Frank Harlan James in 2006.

Listening to her fathers huge jazz music albums is what helped Diana be the musician she is today. She lost her mother to multiple myeloma in 2002, and her mentors Ray Brown and Rosemary Clooney in just a few short months of each other. Her younger sister is a strong supporter of her jazz music career.

Her first album came out in 1993, called Stepping Out. John Clayton and Jeff Hamilton were part of that record. Tommy LiPuma heard it and produced her next album Only Trust Your Heart in 1995. Her next album was called All For You: A Dedication to the Nat King Cole Trio, in 1996. That was nominated for a Grammy award and was on the jazz charts in Billboard magazine for seventy weeks. In 1997 Love Scenes was a hit record with Russell Malone on guitar, and Christian McBride on bass guitar.

In 2000, Diana went on a tour with Tony Bennett and was nominated for more Grammy awards. The Look of Love album went platinum, the following year. It went to number one on the Canadian charts, and on the Billboard 200, top ten. In 2001 Diana toured the world. The Paris Olympia concert was recorded, and Diana Krall-Live in Paris was released and went to the top of Billboard jazz charts, number 5 in Canada and the top 20 of Billboard 200. On the recording was a cover of Billy Joel's "Just The Way You Are" and "A Case Of You" by Joni Mitchell.

Diana also wrote with her husband after they were married, and wrote her own songs. The Girl in the Other Room was the result of her work, in 2004. This year, she was in a Lexus ad. Diana also sang "Dream a Little Dream of Me" with Hank Jones, a famous pianist. In 2003 she received an honorary doctorate from University of Victoria. In 2004 she was included in the Canada's Walk of Fame.

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Monday 19 November 2007

Creating Jazz Music

All over the world people have invented their own interpretation of Jazz by creating new music from their soul, yet branching out to expand the capabilities of the music of their culture. Jazz around the world must always begin with examples of various music. The main traits of the styles of music that stands out consistently should be reviewed.

One must think about the aesthetic nature of the songs, and the general sound of that style. The next action to make is to add a trait or two to the traditional music of your culture. In all music there are notes that sound horrible when played together or just plain uninteresting.

With research and experimentation one can find traits from many styles of music that could fit together perfectly. There you will have invented a new style of music by expanding your cultural music, or adding the ethnic trait to another style of music. One can always balance each trait evenly to make it difficult for anyone to point out anyone style to create a new style of mongrel music. Nevertheless, creating Jazz music is taking what is known and expanding it without abandoning the main core of the style.

It has already been determined that the creation of basic Jazz music must include syncopation, speech rhythms, chromatic juxtaposition of 7th to 9th to 13th chordal harmony using accidentals, improvisation and a walking bass line. The usual instruments used in the creation of Jazz music are percussion, brass and string bass. Nowadays, strings and woodwinds can be added to the creation of Jazz music to add to the tonal quality of the sound. The upper stringed instruments as well as the lowest double bass stringed instruments can expand the sound of jazz music in the vertical matter of height, and depth while the brass sounds stronger as the center of Jazz music.

The addition of the breathy sound of the woodwinds tends to soften the sound. Therefore, having instruments from all the musical families balances the music to a fuller colorful atmosphere of sound. To diversify creation of Jazz music one should determine the elements to add or expand on.

The elements to look for would be tone color, rhythm, and resonance. Furthermore, take time to research the instruments for woodwinds, percussion, brass, and strings from other countries to see what can fit in the creation of Jazz music. You can also visit www.asza.com/ihm.shtml for a collection of world instruments.

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Saturday 17 November 2007

Billie Holiday

Billie Holiday was one of the most famous jazz music singers in America. Her real name was Eleanora Fagan. Like most lives of musicians, she had a very bad time growing up which damaged her career. Her life is written about in the autobiography Lady Sings The Blues, but there are many things in there that are not really valid. Her stage name is from an actress, Billie Dove and her father Clarence Holiday.

Billie grew up in the poorest area of Baltimore. Her parents married when she was three years old, but it did not last. They divorced and she was raised by her mother and various relatives. She had been raped when she was eleven years old, and skipped school a lot, so she was placed in The House of the Good Shepherd in 1925. The House of the Good Shepherd was a reform school for Catholics. A friend of the family helped her out of there a couple of years later. She then went to New York to live with her mother. A year later, her mother discovered a neighbor was raping Billie, the man spent three months in jail.

Things seemed to go from bad to worse. Billie had said a brothel claimed her where she worked as a prostitute , and then was in prison for awhile. She started singing for tips in the Harlem night clubs in the 1930's. It was said when she had not a dime to her name and was about to be evicted, she sang "Trave'lin All Alone" at a club and had the audience crying. She kept singing for tips until she ended up at a popular jazz club called Pod's and Jerry's in Harlem. A lot of her performing cannot be discovered, but it is said she was working at Monette's, another club in 1933 when John Hammond, a talent scout found her.

John got her to record with Benny Goodman that same year. She sang in a group with Teddy Wilson, a pianist. Their debut was the song "Miss Brown You", and "What A Little Moonlight Can Do", which made her a famous jazz singer. The year following that, she began recording under her own stage name. Some of the musicians who she performed with her the best, such as Lester young, a tenor sax player. Lester was a boarder in her mother's house, so they were good friends. He was the one who gave her the nickname Lady Day. She gave him the nickname Prez. She also performed with Artie Shaw and Count Basie.

When Billie was on the Columbia label, someone gave her the song "Strange Fruit" about lynching. She sang the song at a club in 1939, afraid of some kind of retaliation. Later on, Billie said that it was similar to the death of her father, and that is part of the reason why she performed it. She was upset that a lot of people didn't understand the song. She said," They'll ask me to sing that sexy song about the people swinging." Columbia didn't record it, but Commodore Records did. She sang that song for twenty years.

She began doing drugs in the 1940's, married Jimmy Monroe, a trombonist in 1941. At the same time, she was with her drug dealer Joe Guy living with him common law. She divorced her husband in 1947, and departed from her drug dealer, but spent eight months in a correctional facility for women. Because her Cabaret Card was taken, she couldn't perform in clubs in New York City for the last twelve years of her life, except once at the Ebony Club with permission.

She continued on with substance abuse, and getting into the worst relationships with men.
She died in 1959 from cirrhosis of the liver. She was just 44 years old. All she had was seventy cents in the bank, and a $750 tabloid fee. A movie Lady Sings The Blues was done about her life starring Diana Ross. It wasn't the real story but it gave Diana a Best Actress nomination. Billie has been an inspiration for many people and is still one of the best jazz music vocalists today.

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Monday 12 November 2007

Art Blakey

The beginning career of jazz music legend Art Blakey was amazing. He took piano lessons at school. When he was in the seventh grade he played music full-time and was leading a popular band. Not too long after, he started playing drums in the style of such players as Ray Bauduc, Chick Webb and Sid Catlett. He taught himself how to play.
He played with Mary Lou Williams at Kelly's Stable in 1942. Next, with Fletcher Henderson for the next two years, and he toured with. Art then went to Boston to lead a big band, then joined Billy Eckstine's band in St. Louis. Art stayed with that band from 1944-1947.

Art was considered to be among jazz music's finest musicians such as Fats Navarro, Miles Davis and Dexter Gordon. In 1947 when Eckstine's band broke up, Art started the Seventeen Messengers. He would go on to have several other groups with this same name. He then went to Africa to learn all about Islamic people for over a year. By the 1950's he performed with Clifford Brown, Miles Davis, Charlie Parker and Horace Silver.

After they performed together many times, he started another group with Horace which included Kenny Dorham, Hank Mobley with the name Jazz Messengers. Horace left a year later. He was the known leader of the band. The Jazz Messengers played hard-bop jazz music. The roots of which were blues music. Hard bop is a mixture of bebop with gospel and soul music. An example of this is his album Moanin' recorded on Blue Note Records in 1958. They fought hard to keep black people interested in jazz, when the ballroom jazz music disappeared. Many young musicians during the years have been influenced by this style. Jazz musicians such as Keith Jarrett, JoAnne Brackcen, Woody Shaw , Donald Byrd, Delfeayo, Branford and Wynton Marsalis.

In 1971 to 1972, Art world toured with the biggest names in jazz music such as Kai Winding, Dizzy Gillespie and Thelonious Monk. He also performed a lot at the Newport Jazz Festival. The best performance was when he was in a battling performance with Buddy Rich, Max Roach and Elvin Jones in 1974. Art continued to tour nonstop with help from Donald Harrison and Terence Blanchard, along with younger musicians such as Benny Green.

Art never thought of his music as similar to African style, although he did use some of their techniques such as using his elbow on the tom-tom to alter pitch. His trademark, the forced closing of the hi-hat on each second and fourth beat was created in 1950-1951, which many jazz musicians copied.

A major jazz musician and innovative in his drum style, he was unique and performed with power. The way he played was loud and aggressive. The jazz critics basically ignored what he did in the 1960's. American audiences left him behind in the 1970's when rock music took over the scene.

He always made time for young jazz musicians, listening to them, and helping them with their jazz music careers.

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The American Influence Of Jazz Music

The Jazz music sensation began to rub off on other parts of the world which encourages the experimentation of melding their familiar sounds with the essence of Jazz. In Europe's country in the Region of France came the Quintette Du Hot Club de France who was responsible for the making of the early "Gypsy Jazz".

The Belgian guitarist Django Reinhardt created gypsy jazz by mixing the style of French Musette which was used in the dance halls, eastern European Folk known as Jazz Manouche, and American swing of the 1930's. The sound was developed by instruments from the string family which are a steel string guitar, violin, and an upright bass. The atmosphere of the Jazz music is seductive with sudden unpredictable twists, and accelerating rhythms. The French artist Bireli Lagrene plays this unique music with old elements of the past.

Another style of Jazz music that allowed the musicians to express themselves freely was the invention of Avant-garde or free Jazz music. Both of these styles stemmed from the Bebop era, yet produced a relaxed form of harmonic and rhythmic music in the 1940's and 1950's. The musicians John Coltrane, Dewey Redman, Charles Mingus, Sun Ra, Sam Rivers, Ornette Coleman and many more were the creators of the free Jazz music. Between the 1960's and 1970's the Latin musicians created the Afro-Cuban and Brazilian Jazz Music styles after Bebop musicians Dizzy Gillespie and Billy Taylor cultivated it.

Gillespie and Taylor was influenced by the music of Cuban and Puerto Rican musicians Chico O'farrill, Tito Puente, Chano Pozo, Xavier Cugat, Mario Bauza and Arturo Sandoval. Jazz music expressed in a Latin interpretation was termed Bossa Nova with origins in Samba music which is a mixture of Jazz, classical and pop music from the 20th century. Bossa is a moderate sound of music with Classical harmonic structure from Europe, Samba polyrhythm's from Brazil and cool music. The tempo of such a work is about 120 beats per minute. The instruments used in this particular sound is nylon stringed guitar, piano, high hat tap of eighths, tapping on the rim of the drum like Sade's "Sweetest Taboo", and a vocalist. The sound produced is a new relaxing sound where the acoustic sound of the guitar can lull one to sleep with it's easy melodic line.

Joao Gilberto and Antonio Carlos Jobim became popular in the sixties with this style of music. The influence of Jazz music returned to the place of its origins in the religious music known as Urban Contemporary Gospel from the spirituals music. Much of spiritual music sung by southern slaves in the past has a haunting dark and mournful sound during the 1800 and 1900's. The churches know as the sanctified or holy churches took a more happier approach by encouraging member to sing speak their personal testimonies as they celebrated with song and dance.

The sanctified artist Arizona Dranes who was a traveling pastor made recordings that would fit in many musical categories such as blues, and boogie-woogie with the use of Jazz instruments. At the time the Jazz instruments used with religious themed music were percussion and brass instruments.

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Wednesday 7 November 2007

All About High School Jazz Competitions

There is nothing more exciting that masses of Jazz lovers all in the same place competing in a competition to showcase the skills they have honed. High school educators all around the country unite at different location to enter their vocal Jazz ensembles, Jazz Bands, Jazz Orchestra's in a competition to represent their schools. All who enter this Jazz competition have been preparing and working hard at learning the music most of the school year.

The music educators gather a small stack of repertoire that will really make their students stand out as unique. The key to performing for the Jazz competition is to know the music, and express it exactly the way the teacher has taught them to do. The truth of the matter is that all Jazz singers should sing out , and not hold back unless the teacher motions for you to do so. All the instrumentalist should follow the music and shape the sound. Jazz music is an expression that should come as a personal interpretation of the piece. After all, how do the winners in the Jazz competitions exist if the right music and interpretation of the musicians did not exist?

Fortunately, the successful Jazz Group must possess something that allows them to feel at ease with showing soulful emotion with the instrument of voice. When every member does the same thing it makes the most magical atmosphere of music that would send chills up the spine. One can play the piece of music plainly as written, or one can perform the music as written shaping it into something beautiful. Emotion should always be involved with music performance. Moreover, the music performed in Jazz competitions should be believable to the listeners.

Meaning, if you do not feel the music no one else will feel it. Therefore, a performance without emotion is dull and uninteresting. If emotion is something hard to grasp at anything in your life, you should try the Mr. Holland's Opus strategy.

There was a girl who could not play her instrument the way she wanted to. He told her in the film to think of something that means a lot to her. She thought of that and was able to perform. If the piece you are playing does not move you personally you might find it hard to perform. However, if you are familiar with what the music is about it will be easier to interpret it. For instance, "Georgia On My Mind" written by Stuart Gorrell and Hoagie Carmichael, one may have never traveled to the state of Georgia. Nevertheless, the music is an expression of adoration for the state of Georgia.

All students participating in high school Jazz competitions should use that emotion to the fullest when performing. In other words, think of something you adore and perform with that though in mind. The thought can be a person, a place or even an object that you hold dear. Be prepared to shine in high school Jazz competition, and feel the music from your heart. It wouldn't hurt for the teachers to choose the right music to show off your talents.

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Sunday 4 November 2007

All About The Origins Of Jazz Music

The essence of the sound of Jazz music is so versatile due to the origins from which it first began. In fact, New Orleans, Louisiana is the place where Jazz first began between 1850 and 1900 by African slaves as well as the freed people of color. The first style of Jazz music was known as Dixieland.

In Africa from the Middle to Central to the West, one can hear the intricate rhythmic improvisation of the percussive instruments that is often heard with Jazz Music. These rhythms combined with the American Spirituals, Hymns, Blues, and the blue grass hillbilly musical sounds created a type of sound the originated in Jazz music. However, the music was just a peculiar sound without a particular title to call it fifteen years later in 1915. The great pianist Earl Hines born in 1903 played this type of music before the title Jazz became an official style of music. The word "Jazz" which was formerly spelled as "Jass" has it's origins as a type of American slang used to describe the sound of Jazz music.

It is the sound of Jazz music that began as an offspring from the origins that created this music. In the beginning of the century the instruments used in Jazz music were European percussion, brass and woodwind instruments primarily for the military marching or dance bands.

Moreover, these instruments were used in the funeral marches in the deeper party of the southern area and well as the northern. The essence of the origins of Jazz music finally became developed into it's own style with an original shape. In addition, origins of Jazz music expanded the style to the point where it cannot be defined as pure folk music even when some of its roots began there.

Once the education system included the study of music to train musicians in a formal setting it paved the way for many to learn the techniques to create music from the heart. The importance of the origins of Jazz music is to learn all about the sound that many have fell in love with. Jazz music represents freedom to create color and sound that can be interpreted best by the performers and composers who create this style of music. The origins of Jazz music has been a subject worth debating over when it comes down to labeling it a particular style. Duke Ellington himself explained it as "It's all music" due to the fact that the music has no particular structure or form it has to take.

Jazz music is not a simple style that can easily be defined except as free music that can easily meld into other styles of music to take it to another level. Jazz music itself is an innovation of African, Impressionist, Spiritual, Hymnal, Blues and Blue Grass hillbilly music simultaneously combined into a music masterpiece. The essence of the sound of Jazz music comes from the different musical elements from each part its origins as putting pieces of a puzzle together into one cohesive entity.

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Saturday 3 November 2007

Jazz Clubs

Jazz music is appreciated worldwide. If you are ever traveling and are new to some countries, here are where some of the best jazz clubs are located so that every place you go will be just like home.

Canadian Jazz Clubs

In Westminster, you can go to the Java Jazz Café & Bistro. Live jazz is played served with Filipino cooking, with dishes like kare-kare, milkfish and bangus. Every night there are different artists playing. Times are from Tuesday-Thursday from 12p.m. to 2:30p.m. and 5:30 to 12:00a.m. Friday it's to 1:00a.m., Saturday 3 p.m. to 1 a.m. and Sunday 5:30 p.m. to midnight. If you want to attend jam sessions, they are each Saturday 3p.m. to 6p.m.

If you are ever in Victoria, go to the Hermann's Jazz Club on 753 View Street. This club has been around for 25 years. You can enjoy good food and international jazz music from the hottest musicians around.

In Vancouver, you can go to Capones Restaurant & Live Jazz Club. Jazz music is played there every night of the week. The food is excellent food and wine. Some of the dishes are pizzas, pastas, tapas and there are also some signature entrees. The musicians that play here are literally chosen to play there from the area and offer great west coast jazz music and blues. You have to call and book in advance to get a table here.

Cuban Jazz Clubs

If you are heading to Havana, be sure to stop at La Zorra Y La Cueva Jazz Club. Open every day, you can eat, drink, dance and enjoy the best jazz music as only the best of musicians play here. Dress tropical for this club.

Chinese Jazz Clubs

In Bejing, you can go to The Big Easy. Modern jazz music and blues is played there. Ted's Café plays traditional jazz on Saturday nights. In Shanghai you can go to the CJW. The CJW is the Cigar Jazz Wine House. It is on the highest floor of the fifty-story Bund Centre. The atmosphere is very modern, eccentric with lava lamps, transparent beaded curtains. The food is traditional western and Chinese fusion.

Israeli Jazz Clubs

In Binyamina, you can go to the milestone. The Milestone is set in a beautiful park inside a Roman fortress. The times are from weekends Thursday to Saturday. The jazz music is played by the best Israeli jazz musicians. Gourmet food is served, and there is also an amphitheatre. If you are in Haifa, go to the Hottentot. Performances are just about every single day. The atmosphere is laid-back, there's good food, drinks and a gallery.

French Jazz Clubs

I had to save the best clubs for last. French jazz clubs. The French are serious when it comes to jazz music. All kinds of jazz music is played from standard to amateur. There are many, many jazz clubs here. Quite a few American jazz musicians chose to live there permanently or temporarily and have enhanced their lives all around. Here is a couple of the best jazz clubs in France. In Paris 4th, there is Franc Pinot. Those that love swing and bebop music should come here. This club has natural acoustics, and is located in the heart of Paris. Times are from 7p.m. to 9p.m., but it depends on who is playing for the night. In the 15th, there is Jazz Club Lionel Hampton where the best bands and artists play contemporary jazz. If you want to enrich your spirit, go travel to other places to appreciate jazz music.

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Jazz Music Today

Jazz music has evolved to the point where basic signature of the style has minimized into an influential element. For example, the Jazz music of the 80's electronica music of IDM which stand for Intelligent Dance Music where such artists like Bjourk is known for. The drum and bass is another form of electronica that does not use the typical improvisation that is one of the key elements of Jazz music. In fact, this is not thought of as Jazz music at all, but a style that was influenced by Jazz music.

Musicians of the electronica age were St. Germain, Jazzanova, Portishead, Apex Twin and more who used live Jazz music to beats. The Cinematic Orchestra and Julien Lourau from Europe's France were very successful with this style of music. However, those musicians who master keeping the traditional Jazz music combined with new elements are the most loyal to the style from which it came. In the millennium, Jazz elements became a part of the American Pop scene with the artist Norah Jones, and Christina Aguilera, Amy Winehouse.

There are skeptics who do not believe the music should be called Jazz. However, Christina Aguilera's Back To Basics album used Jazz brass instruments with urban beats. Jazz music according to the National Public Radio filed a report stating that the music is becoming more popular with the public regarding the interest of the buyers of jazz music.

Rhythm and Blues music is a product of Jazz music that describes funk and soul. The musicians who successfully made their mark with this sound of jazz, boogie-woogie gospel, bebop and blues reinvented R&B into contemporary styles. Artist such as Robert Palmers, Jerry Lee Lewis, Fats Domino, Prince, Michael Jackson, Whitney Houston, Janet Jackson, Keith Sweat, Mariah Carey, En Vogue, Guy, Jodeci, Mary J. Blige, Levert, Teddy Riley, Justin Timberlake, Aaliyah, Missy Elliot, Lauren Hill, Brian McKnight, Jimmy Jam and Terry Lewis are a few of the many people who've made this music popular. Later on Pop artist like Pink, Britney Spears and Gwen Stephani used R&B musical elements in their songs. The wheel of the evolvement of Jazz music keeps turning into new styles, yet turns back at different times toward the root where it began.

Those who were in favor of the traditional Jazz music feared that the essence of Jazz music would be lost among all the new innovations. Free thinking in the world of Jazz caused a division between the modernist and traditionalist. The world of Jazz music has changed to the point where Jazz once the leader turned into an element included in today's works of art. Nevertheless, nothing in the traditional Jazz music has changed, but the radios have extended their repertoire to include all the styles of music with jazz elements.

The array of Jazz music is present in the Jazz fests who played music with African elements that did not sound like Jazz music. One thing we all should look out for is the musical elements in Jazz that stand out such as the complex rhythm, and the chromatic chordal harmony or chord progressions typical for the Jazz Music.

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